Dani would have been truly another pumping heart of Immortal, in spite of not having put on paper his rather good poetic qualities.

He was such an early connoisseur of the avant-gardes, daring with success in improving the general standards of wit.

Because he came in during the end of our classic period, he found himself in the starting of a process by which the specialization of tasks and screenplaying had almost become a must before devising any project. On the contrary, he preferably enjoyed free composed movies, those collective improvisations in which we all were making something up with minimal planning.

The big however is indeed that he put all his efforts into the social field instead of any film-making task.